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Nature’s Laws of
Harmony in the
Microcosm of Music

Part 1   •   Part 2


Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

Scientists of Tuebingen discover the Brain Regions responsible for
Self Awareness

The Future of Pharmaceutics



Peter Hübner - Micro Music Laboratories
Peter Hübner - Micro Music Laboratories

Page   1 2 3 4 5 6 7 



Harmonical Information as a Medical Drug

Reduce the unwanted side effects associated with conventional medicinal treatment
The director of Micro Music Laboratories® speaks on the situation in the pharma­ceutical industry – an interview from the magazine MUSIC & NATURE with the musicologist Peter Hübner

Music & Nature: Mr. Huebner, you are a classical composer, but also produce music in your Micro Music Laboratories, which is de­scribed as a "prepa­ra­tion" and which is used for medi­cal pur­poses. There is also an im­pres­sive num­ber of sci­en­tific tests which prove that your medi­cal mu­sic prepa­ra­tion is often more suc­cess­ful than phar­ma­ceu­ti­cal prepa­ra­tions. We be­lieve that this could lead to an eco­nomic con­flict with the pharma­ceu­ti­cals in­dus­try; which would not ex­actly be wel­come if it were to lead to new com­pe­ti­tion. We would like to ask you a few ques­tions on this sub­ject.

Ques­tion: How do you ba­si­cally see pharma­ceu­tics and its prod­ucts?

Peter Hübner: For many years, pharma­ceu­tics has been the in­sti­tu­tion shown to im­prove hu­man health on the basis of ob­jec­tive sci­en­tific cri­te­ria, hence not ide­ol­ogy nor eso­teri­cism, and this it has done suc­cess­fully.
In coun­tries where phar­ma­ceu­ti­cal prod­ucts and sci­ence-ori­en­tated medi­cal tech­nol­ogy are af­ford­able, life ex­pec­tancy is the high­est, es­sen­tially higher than in those coun­tries and cul­tural ar­eas sup­ported by other meth­ods of heal­ing which have evolved over time but which have never been sci­en­tifi­cally tested. I`m think­ing here for ex­ample of India and China. In Af­rica, South Amer­ica and a large part of Asia, where mod­ern medi­cine is not used, the situa­tion is even worse.

Mu­sic & Na­ture: This sounds like a song of praise for phar­ma­ceu­tics and chemi­cals and from this point of view, one could feel that phar­ma­ceu­ti­cal prod­ucts should flood the world!

Peter Hübner: I wasn’t only talk­ing about phar­ma­ceu­ti­cal prod­ucts, but also about sci­ence-ori­en­tated medi­cal tech­nol­ogy and there­fore about medi­cal per­son­nel who are trained in mod­ern sci­ence and striv­ing to­wards ob­jec­tive aid.
With­out doubt, we would want these achieve­ments of mod­ern civi­li­sa­tion to bene­fit the world over; but the un­for­tu­nate fact is that most peo­ple liv­ing on our earth can­not or can hardly afford this type of ex­pen­sive medi­cine.

Mu­sic & Na­ture: But what is the situa­tion with the un­wanted side ef­fects which most – if not all – phar­ma­ceu­ti­cal prod­ucts cause and which par­ticu­larly for those peo­ple who have to take vari­ous medi­cines, sum up and cre­ate a new se­ri­ous risk – which is sud­denly dif­fi­cult to treat or can no longer be treated with chemi­cal prepa­ra­tions?

Peter Hübner: Years ago, I made the man­ag­ers of large phar­ma­ceu­ti­cal com­pa­nies aware – with the help of my pub­lish­ing house – , that they should se­ri­ously think about us­ing har­monic in­flu­ences when cre­at­ing their prod­ucts, to pre­vent the un­wanted side ef­fects and in this re­spect, of­fered my ad­vice, since I ap­ply the har­monic laws of na­ture to my mu­sic.

But this offer was not ac­cepted – which of course al­lowed more time for my own fur­ther work. This meant we were able to carry out in­tense work in the Mi­croMu­sicLa­bo­ra­to­ries® and within only a few years, con­sis­tently pro­duced an im­pres­sive num­ber of medi­cal mu­sic prepa­ra­tions which proved in many cases to out­weigh the ef­fects of phar­ma­ceu­ti­cal prod­ucts and had no un­wanted side ef­fects at all. Even more so, they have a nor­mal­is­ing ef­fect – which means for ex­ample that peo­ple whose hor­mone bal­ance is too high can re­duce this bal­ance with a "medi­cal mu­sic prepa­ra­tion A", whilst those whose hor­mone bal­ance is too low, can in­crease the bal­ance with the same prepa­ra­tion.

Mu­sic & Na­ture: This is in­deed ex­tremely in­ter­est­ing and the ef­fect of achiev­ing two op­po­site ef­fects with one prod­uct if nec­es­sary, is not rec­og­nised with phar­ma­ceu­ti­cal prod­ucts.

Peter Hübner: This was in fact the main rea­son for my ap­proach­ing the phar­ma­ceu­ti­cals in­dus­try. It is not only a case of in­creas­ing or re­duc­ing hor­mone bal­ances – but rather of nor­mal­is­ing hor­mone bal­ances.
With con­ven­tional chemi­cal proc­esses we have never been able to achieve any kind of fo­cused nor­mali­sa­tion or in­crease to an ac­tual stan­dard value, be­cause a "nor­mal" hor­mone bal­ance can­not be quan­ti­fied. For one per­son, one hor­mone bal­ance is nor­mal and for an­other, a dif­fer­ent hor­mone bal­ance is nor­mal and both have vari­ous dif­fer­ent hor­mone bal­ances at vari­ous dif­fer­ent times.

At best, a doc­tor can as­cer­tain that a hor­mone level is out of its own par­ticu­lar nor­mal range, if from his point of view, it is dan­ger­ously low for one pa­tient or dan­ger­ously high for an­other. But he will never be able to state the cor­rect and ideal hor­mone level for an in­di­vid­ual pa­tient at any one point in time.
For a doc­tor, an ex­ter­nal ef­fect on the hor­mone level only makes sense if from his point of view, the de­via­tion from nor­mal is so great that he sees high risk to the pa­tient. He then pre­scribes the ap­pro­pri­ate phar­ma­ceu­ti­cal prepa­ra­tion and states the rec­om­mended quan­ti­ties and times.

In truth, the role of the doc­tor is to pro­vide continu­ous or at least long-term help for his pa­tients in achiev­ing a hor­mone bal­ance which is nor­mal for them­selves and which of course changes ac­cord­ing to their in­ter­nal and ex­ter­nal liv­ing situa­tions.
He can only do this how­ever if the har­monic view point is taken into con­sid­era­tion. He must there­fore have a medi­cine or prepa­ra­tion, which is struc­tured har­moni­cally and there­fore, matched to the pa­tient`s natu­ral chang­ing in­ter­nal and ex­ter­nal liv­ing con­di­tions.

Medical Music Preparations on CD
RRR 101 Vital Energy
Vital Energy

RRR 102 Harmony

RRR 103 Hormone & Immune System
Disorders of the
Hormone & Immune System

RRR 105 Gynecological Disorders
Gynecological Disorders

RRR 106 Sleep Disordes
Sleep Disorders

RRR 128 Concentration / Memory
Concentration / Memory

RRR 133 Headache / Migraine
Headache / Migraine

RRR 921 Courage to Face Life
Courage to Face Life

RRR 931Relaxation
RRR 932 General Stress Symptoms
General Stress Symptoms

RRR 933 Neurodermatitis / Psoriasis
Neurodermatitis / Psoriasis

RRR 940 Cardiac & Circulatory Disorders
Cardiac &
Circulatory Disorders

RRR 934 Pregnancy & Birth
Pregnancy & Birth

RRR 935 Creativity

RRR 942 Mother & Child
Mother & Child

RRR 943 Pains / Post-operative Pains
Pains / Postoperative Pains

RRR 951 Mental Distress / Fear
Mental Distress / Fear

RRR 941 Neurophysiological & Sensory Disorders
Neurophysiological &
Sensory Disorders

If you like to look at the complete programs,
if you like to listen to the Medical Music Preparations or
if you want to download them,
please click on the CD-covers above.

If you click on the titles, it will lead you to the
scientific research.

With kind permission of AAR EDITION INTERNATIONAL
© 1998-  DIGIPHARM >